| Season at a glance: |
BCKSEET Productions: Now a repertory company in Philadelphia
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BCKSEET Productions proudly announces its first-ever Repertory Company Season.
Sixteen artists will be working on BCKSEET's Repertory Company Season, making not only the acting company,
but the production design team, a repertory company as well. Our ensemble will
include eight actors portraying nineteen roles over four productions throughout the year, and an additional
eight-person design team who will provide direction, lighting, costumes, and sound design for the entire
season. |
BCKSEET'S Repertory Acting Company |
BCKSEET'S Repertory Design Company |
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Pictured: (standing, l to r) Greg DeCandia, Steven Wright, Nick Gilette, Andrew
Borthwick-Leslie, Tina Brock; (seated, l to r) Oscar Dubon, Adrienne Maitland, Kate Brennan, Josh Totora.
For full actors bios, see below. |
Pictured: (standing, l to r) Steve Heitz, Oscar Dubon; (seated, l to r) Jacob Walton, Nicole
Rolo, Melinda Miller
For full design team bios, click here. |
| BCKSEET Productions's 2008-09 Repertory Acting
Company: |
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Kate Brennan
(Literary Manager / Casting Director) A Philadelphia native, Kate received her MFA in Acting from the University
of Virginia. Graduate credits: Hedda Gabler (Hedda), Songs for a New World (Woman 2),
Hair (Jeanie), Arms & the Man (Louka), and Truth & Beauty. Philadelphia credits:
Angels in America (Harper, BCKSEET Productions), A Year with Frog & Toad (Turtle/ Snail
u/s, Arden Theatre Co.), Tooth & Claw (Ana u/s, Arden), Yank! (GLTF), and Annie Warbucks
(Miss Clark u/s, Walnut Street Theatre). Kate will reprise her role as Dancer in The Eight and will
star as Bernadette in Raised in Captivity. Kate teaches voice lessons and is piloting the
BCKSEET’s new education program, BCKSEET Ignition, this fall. Look for the workshop of her original
musical, Some Assembly Required, in 2009! |
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Tina Brock: Tina is the Artistic Director of The Idiopathic Ridiculopathy Consortium, a Philadelphia-based company
presenting classic absurdist theater. She studied Journalism and Dance at the University of Maryland, Speech
Communication at West Chester University and Psychology at Rutgers University. Previous stage directing credits
for IRC include Three One Acts! Short Works by Albee, Beckett and Ionesco; Eugene Ionesco's Victims
of Duty, and Oh! For the Love of Love: Short Plays by Beckett, Ionesco and Durang; Tennessee
Williams' I Can't Imagine Tomorrow and A Perfect Analysis Given by a Parrot for Random Acts of
Theater, and numerous one acts at the Brick Playhouse. As an actress, theater credits include Luna Theater, Azuka
Theater, Theatre Exile, Arden Theater Company, Philadelphia Theater Company, Act II Playhouse, and BCKSEET
Productions. She has written and performed two solo shows - Tales From a White Hoe and The White Hoe
Returns for Philly Fringe 2004 and 2005. |
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Gregory
DeCandia holds a BFA in Acting from Emerson College. Directing Credits: Boys' Life by Howard Koder
(Boston), Lake Street Extension by Lee Blessing (Boston), Glengarry Glen Ross (Guate),
Sexual Perversity in Chicago by David Mamet (NH), the musical Little Shop of Horrors (Guate), and
Angels in America by Tony Kushner; The Eight: Reindeer Monologues (Philly). Acting Credits:
Mark/Roger US in the 1st National Tour of RENT, Othello in Othello (Guate), Jesus in Jesus
Christ Superstar (Guate), Raleigh in The Last Train to Nibroc (Boston), Riff Raff in The Rocky
Horror Show (NH), Puck in A Midsummer Night's Dream (NH; NHTA Best Actor Award), and Pink in Pink
Floyd's The Wall (NH), and most recently reprising that role in Philadelphia for BCKSEET. Scenic Design:
PVT. Wars (Philly), Little Shop of Horrors (Guate), Giovanni's Room (Boston). Greg
designed and taught Colegio Interamericano's Theater Department K-12 in Guatemala City (2003/2004) and designed and refurbished the school's first black box theater. |
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Oscar
Claveria Dubon. His university education includes Journalism, Literature and Philosophy. He has over 7 years
experience in teaching (English, English as a Foreign Language, American & World History and acting for
children). His academic experience extends to Standardized Test Development and Academic Syllabi development for
the teaching of EFL. Creator and manager of the Cantón Exposición Art Gallery & Cultural Centre Project, for
which he performed as Artistic and Administrative Manager as well as Main Public Relations Representative. This
work enabled him to establish strong liaisons with the Guatemalan media (newspapers, magazines, TV & Radio
stations) that permitted the promotion of numerous artistic events that took place in year round calendars and
isolated cultural affairs. This work extended to BCKSEET Productions’ work in the Central American country in the
year of 2003, and the US in 2004. His PR campaigns up to this date include: Glengarry Glen Ross,
Othello, Little Shop of Horrors, PVT. Wars (Guate), Sexual Perversity in Chicago,
Closer, PVT. Wars (Philly), Angels in America, The American Plan, Alpha Female
, and Kiss of the Spider Woman. He was most recently seen as Hector in Theatre Exile's production of
Roosters. |
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Nick
Gilette is new to BCKSEET this season, and looks forward to working with everyone with unquenchable, doe-eyed
optimism. A graduate of Colgate University, Nick decided the best use for his degree in German and Japanese
would be a headlong rush into the world of theater. He has not looked back, and maintains that what he may
lack in foresight, he more than makes up for in an astounding ability to live in the present.
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Andrew
Borthwick-Leslie is on the faculty of the University of Pennsylvania, Temple University, and Desales University
theater departments. He has also taught at Emerson College, the University of Maryland, and Catholic University
among others. He has been an active member of Shakespeare & Co. in Lenox, MA for over fifteen years. ”. Most
recent roles include Nathan in JT Rogers “Madagascar” (Isis Productions) Nightingale in William’s “Vieux Carre”
(Egopo) and Alonso in “The Tempest” (Philadelphia Shakespeare Co.). Recent directing credits include Shanley’s
“Where’s My Money”, LaBute’s “The Shape of Things”, and Frank McGuiness’ “Someone Who’ll Watch over Me” for
Intrepid Theater and “the Two Gentelemen of Verona” for the Maryland Shakespeare Festival.. He has directed over a
dozen educational productions of Shakespeare at many Universities and High Schools from “King John” to “Pericles
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Josh Totora is thrilled to be working with Bckseet for the first time. Josh is a graduate of Rowan University with a BA in
Theatre Performance. Recent performance credits include Amadeus, The Life of Galileo (Wilma
Theater), Beauty Is (Hotel Obligado). He has also understudied at Arden Theatre Company, and the Walnut
Street Theatre. With McCarter Theatre in Princeton, NJ Josh has composed/performed original scores for their
Education tours of Arabian Nights, and The Odyssey Experience. Josh is the resident artist of
Little Fish Theatre Collaborative where he music directed, and played Brad in The Rocky Horror PUPPET Show
em>. Thank you to BCKSEET for the amazing opportunities. Love to Sarah and his family. |
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Steve
Wright is an actor, educator and director based in the Philadelphia area and a member of BCKSEET 08-09
Repertory Company. Credits include: (Director) PVT. WARS (BCKSEET prod.), Riding the Bull,
Catty Corner (Azuka Theatre) Falling Moon ( Julie Harris Theatre, CO) Skitsoid 2-4,
Tattooed Lady (Blackstar Collaborative). Actor: After Play, Finnian's Rainbow (Walnut St.
Theatre), Sideways Stories from Wayside School (Arden Theatre), Dreamgirls (Prince Music
Theatre.) Educator: Cabrini College, Walnut Street Theatre, and developed the Stages in Education program for
Azuka Theatre. Steve is also the founder of The INsiders Philly's new sketch comedy troupe and can be seen in
1812's This Is The Week That Is: Election Edition and will direct The Eight: Reindeer Monologues
em> for BCKSEET this fall.
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| BCKSEET 2008-09 Repertory Creative and Design Team:
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Tara Gruber (Production Manager/Production Stage Manager): Tara earned her BFA in
Communication and Theatre at Messiah College in Harrisburg, PA. Some of her stage management credits include
BCKSEET’s The Eight: Reindeer Monologues (2007) and Three Tall Women, The Ritz Theatre’s
Blood Brothers, Much Ado About Nothing, Lost In Yonkers, and independent productions of Joined at the Head, Museum, and the original pieces: Jailbirds and Small Shorts. She’s also
served as Assistant Director for the Growden Theatre and spent three years as Production Stage Manager of the
Philadelphia production of Tony N Tina’s Wedding. Her greatest loves are theatre, film, running light
boards, and U2…”Who’s to say where the wind will take you?” |
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Steven Heitz holds a BFA in design from Temple University's Theater Department.
Recent designs include Temple's production of Our Lady of 121st Street, Keith Antar Mason's For Black
Boys who have Considered Homicide when the Streets were too Much, as well as Ntozake Shange's For
Colored Girls who have Considered Suicide when the Rainbow was Enough, both on main stage at the Adrienne.
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Nicole Rolo (Properties): Nicole recently graduated from the University of the Arts
with a Bachelors of Fine Arts in Applied Theater Arts, with a focus in Stage Management. Nicole has appeared at
various locations around the city including the C.E.C. and the Arden.
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Melinda Miller (Charge Scenic Artist, Costume Designer) hails from Tennessee and
earned her B.A. in Drama from the University of Virginia. This past year, her work has been seen
at The Adrienne Theatre, Plays & Players Theatre, and Society Hill Playhouse. Her second year
here in Philly, she brings it on with Backseet's Repertory Season!
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Jacob Walton (Set Designer): Jacob is a set designer hailing from Portland Me, and
he is thrilled to be working with BCKSEET. Philadelphia design credits include: The Why, Romeo and
Juliet (Clark Park), Angel's Fall, Patient A, and Vietnam 101. He is a founding
memeber of Simpatico Theatre Project. Much love to friends,family, Ana and Tom for all their support.
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BCKSEET Productions, in residence at the Red Room of the Society Hill Playhouse is the South Street District's only
resident theatre company, and the only repertory company in the city of Philadelphia. |